What We Saw at Nomad St. Moritz 2024

Accents of Africa at Nomad St. Moritz 2024
Valentina Croci, Interni , February 28, 2024
In the former Hotel Eden, an event focused on collectible design that focuses on curatorial selection and location to create an intimate experience between visitors and exhibitors
 With a splendid view of the lake and the historic center, in a delabré building due to the construction site being restored soon, Nomad St. Moritz 2024 aims to be a destination for collectible design galleries, creating a dialogue between art, design and architecture, between content and container. “Holding a human scale,” adds Nicolas Bellavance-Lecompte, curator and founder of the event with Giorgio Pace.

“We want to create a surprise effect. There arereturning galleries, but we ask them to bring something unexpected. At the same time we maintain around 40% new exhibitors to offer a sense of discovery to visitors. It's a curatorial event, we choose more based on the program and the applications than on the names of famous galleries."

On display this year 25 international galleries and 9 special projects which presented from rare historical objects to unprecedented contemporary creations that take us back to the material and precious expressiveness of the applied arts.

 

Accents of Africa at Nomad St. Moritz 2024

The renewed interest in the African diaspora that pervaded, to name one event, the XVII International Architecture Biennale of Venice, also finds space in the world of collectible design.

The Lausanne gallery Foreign Agent specializes inartists of African origin bringing us into contact with unpublished materials from the "north of the world" and local techniques from low tech.

Examples include the finely lacquered coconut wood container by Jean-ServaisSomian, the furniture in recycled tin from oil barrels by Hamed Ouattara  and the textile works of the Congolese-born artist Maliza Kiasuwa who, in biomorphic forms, examines transformative and regenerative processes in an attempt to understand the mystery of life.

There was no shortage of more established African artists such as the Senegalese Seyni Awa Camara, also exhibited at the Center Pompidou, who creates clay sculptures in her courtyard, then fired in an open hearth oven.

 

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